Saturday 8 March 2014

Tuesday 25/02 – HAPPY COMMEDIA DELL’ARTE DAY!

The day of our performances arrived and we began with our morning warm up before we got straight into rehearsing “Toby or not Tobi”. We rehearsed the show in full four times (including a dress rehearsal) before our first show at 1:30.

The set was finished and the running order had been pinned up behind the set:
 
After each run-through we would receive feedback on how to tighten up our performance as well as working out the kinks in scenes. Tom and I spent time working on the joke of confusing the words “Love” and “Loathe” so that the words sounded the same and picked up the pace so that the back and forth of dialogue was similar to watching a tennis match.
My main piece of feedback during the devising and rehearsal process was that I needed to perform out to the audience more, and so whenever I came on stage I made a conscious effort to look out into the audience as a way of reminding myself that is where I needed to perform.
Once we had done our final rehearsal, I had my face painted white, and my lips red to create the “mask” of the lovers and then it was show time!! 
Lovers makeup
Both performances were successful and incredibly well received by both audiences. The first audience was made up of performing arts students and so the more “risqué” moments were very well received, it had been thought that the evening performance which was made up of parents would not have responded as well to the “risqué” moments but it appeared that both audiences were accepting of the “racy” nature of some of the jokes.
For me I think the movement used in Commedia is critical to making a performance enjoyable because the large movement really helps bring the characters to life and the mannerisms such as the Lovers large arms movements or Pantalone’s fidgety hands helped to make the audience laugh.
I think that I made a vast improvement from our first rehearsals on Tuesday morning to our final show in the evening as I felt I was much more comfortable in opening up my performance to the audience allowing me act out more. I feel most of my improvement was in the sword fight between Laertes and Angelica as I had been rather cautious in rehearsals and was unable to really get into the role however during both performances I found myself really becoming Angelica and by the time I had made my exit I was out of breath from exerting myself to the fullest during the fight.
If I were to make any changes to my performance it would be to become lighter and more fluid in my movement as once I was in costume I found that I became slightly restricted. So if I were to repeat my performance I would put more thought and creativity in showing the fluidity of Angelica, such as including some turns to give her a more balletic appearance.
Commedia is a physically challenging type of theatre but it is such an interesting art. I found the mask work to be a bit of challenge as I struggled to find a mask that fit and so this meant I had to speak much louder to ensure that my words didn’t get lost. However being given the opportunity to play a lover allowed me to take on some really interesting characteristics and I thoroughly enjoyed getting to explore the “amorous” side of a lover as well as the “mad” side. The contrast between the two emotions was really fun to play and the sudden change was a moment of comedy during Laertes and Angelica’s fight.
Having spent seven days learning the art of Commedia dell’Arte I felt incredibly privileged to have been able to take part in Commedia dell’Arte Day.

No comments:

Post a Comment